Shareef Sarhan On Location
“To take that which has been destroyed and turn it into a literal ‘beacon’ of hope is very powerful.”
Al Ahli Hospital, aka Al Ahli ‘Baptist’ Hospital, is in the centre of Gaza City and has served the community there for over 140 years. Known as a place of peace and refuge, this was shattered on 17th October 2023, when the hospital courtyard was hit by a missile that killed 471 people sheltering there.
Al Ahli Arab Hospital
Serving the community of Gaza City
Amos Trust has partnered with the hospital for the last 30 years. For the last 10 years, we have focussed our support on their breast cancer awareness and screening programme.
Breast cancer is the most common form of cancer in Gaza. Women there are three times more likely to die of breast cancer than in the UK, in Israel or on the West Bank. Often seen as being taboo, women would typically ‘disclose’ late.
Before 7th October 2023, chemotherapy drugs were typically in short supply and radiotherapy was not allowed in Gaza — meaning that if women were given permission by the Israeli government, they would have to leave their families and travel to Jerusalem for treatment. Therefore, taboo-busting and awareness-raising screening programmes and early treatment remained vital.
Al Ahli has been hit four times since 7th October 2023. On the 17th of October, thousands of people were sheltering there when its courtyard was hit by a missile that killed 471 people and injured many more. Despite this and massive shortages in staffing, medicines, anaesthetics, antibiotics, fuel, food and water, the hospital continues to open every day.
Al Ahli Arab Hospital in Gaza City after it was bombed on 17th October 2023
Image: Mohamed al-Masri
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This small hospital is one of the very few hospitals still operating in Gaza City. It sees 700 patients daily, carrying out 25-30 operations and has 160 in-patients in a 50-bed unit and 22,000 outpatients.
Hospital staff who are sheltering in central Gaza now also run a temporary health clinic for the 1 million people squeezed into this tiny strip of land that lacks all basic amenities.
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These graceful, moving and poetic drawings show tenderness and fragility in the midst of war. Ghostly figures locked in a tender embrace, defiantly looking at the sky in resilience and dignity. Majed Shala beautifully documents the human and emotional cost of war in Gaza and its tragic consequences on relationships and everyday life.
Mariam bravely and fiercely creates artworks exploring the practice of Palestinian political prisoners smuggling sperm out of Israeli jails so that their wives can become pregnant. A doctor at a fertility clinic in Nablus stated that 22 women had undergone insemination using smuggled sperm. The success rate was low because of the difficulties of keeping sperm fresh during transportation from prisons in Israel to the West Bank.
“My current work is an echo of my exiled self. The employment of digital windows and messages is emblematic of my artistic method. My screen connects me to the world but detaches me from it. Although I no longer live in Gaza, I am still affected by feelings of isolation and captivity. My artwork is a dialogue with a new reality and a pursuit of an evasive happiness.”
Picasso stated: “Every act of creation begins with an act of destruction.” This is horribly true of Maha Daya’s paintings which document the consequences of Israeli warplanes’ strikes on Gaza. There is no beauty or life in these haunting artworks. The buildings have not collapsed. They are defiant and resilient and refuse to fall. They are monuments to injustice and devastation.
“Mohammed’s characters feel anonymous. The figures appear of varying origins — endless and with infinite colour. They are shadow characters with no rights in soil, sea, or sky. The displaced and alienated move through hazy colour spaces as if from a dream. They are escaping a brutal and painful reality in a desperate search for peace.”
At precisely 1 am on 16th May 2021, Israeli jets bombarded a densely populated residential area in the centre of Gaza City. Zainab was trapped under the rubble of her apartment block for 12 hours. She lost 22 members of her family in the attack. At the launch of her exhibition, she said, “I hope that you will not praise my paintings or document my achievement with joy. Instead, I hope you will help me spread my cause and raise my voice to hold this occupier to account.”
Mahmoud uses medicinal blister packs to construct intelligent, sophisticated and meticulous architectural cityscapes. The symbolism of the impact of the ongoing conflict in Gaza and its affect on mental health is profound. A recent report by Save the Children stated that over 80% of children in Gaza suffer from mental health problems.
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