Ruqaia Alulu On Location
“...a dream that could make a heart tremble… a dream of Palestine.”
DSPR (aka NECC) was launched in 1952 to serve the 198,000 Palestinian refugees in Gaza following the formation of the state of Israel (Nakba) — today, that number is over 1.9 million.
DSPR has developed three areas of specialism: early years and maternal health, training and equipping young people with employment skills and providing psychosocial trauma support to children, parents and young people in their training centres.
DSPR
(Also known as NECC)
Amos has partnered with DSPR’s youth training and psychosocial programmes since 2011, as youth unemployment was so high due to the Israeli Blockade of Gaza that had begun in 2007 and because young people saw such little hope for the future.
Before 7th October 2023, DSPR had four technical and vocational training centres in carpentry, metalwork, electrical engineering, solar power and refrigeration, alongside courses in advanced dressmaking, secretarial studies, office management and Gaza’s first women-only graphic design course. English language teaching, specialist mentoring into employment and psychological support was provided to all students.
Following the 2008/9 war on Gaza, Operation Cast Lead, DSPR started providing psychosocial trauma support to children, parents and young people for the post-traumatic stress that was evident among so much of the population.
Ongoing trauma
Initially set up as a temporary response, they soon realised that the living conditions in Gaza and frequent attacks meant that they had to provide this as a continuous specialised service to address ongoing trauma. They set up play therapy programmes for children and groups, including 1:1 support programmes for parents (and families).
At the start of the war in October 2023, DSPR had to close all their health, psychosocial support and training centres as they were in areas targeted by the Israeli assault. They opened a health and trauma support unit for women and children in Rafah that treated 28,000 people and provided psychosocial support to 15,000 children, their families and bereaved mothers.
Following the Israeli assault on Rafah, DSPR opened a mobile health clinic, providing treatment to 260 people a day. Later, they converted a wedding hall in central Gaza into a new medical centre, which also provides a base for their trauma support work with women and children.
In Gaza City, staff dug out equipment from their bombed-out health centres and used it to create temporary medical centres from which they also offer trauma support to children.
Take a look through our range of resources, blog posts, downloads and products to find out more about our Palestine Justice work.
Amos Trust is privileged to have been developing links and building relationships with the visual arts community in Gaza since 2015. On Location is our new project, which will promote, support and celebrate the power, resilience and vibrancy of the artistic community living and working under siege in Gaza today. Full details.
These graceful, moving and poetic drawings show tenderness and fragility in the midst of war. Ghostly figures locked in a tender embrace, defiantly looking at the sky in resilience and dignity. Majed Shala beautifully documents the human and emotional cost of war in Gaza and its tragic consequences on relationships and everyday life.
Mariam bravely and fiercely creates artworks exploring the practice of Palestinian political prisoners smuggling sperm out of Israeli jails so that their wives can become pregnant. A doctor at a fertility clinic in Nablus stated that 22 women had undergone insemination using smuggled sperm. The success rate was low because of the difficulties of keeping sperm fresh during transportation from prisons in Israel to the West Bank.
“My current work is an echo of my exiled self. The employment of digital windows and messages is emblematic of my artistic method. My screen connects me to the world but detaches me from it. Although I no longer live in Gaza, I am still affected by feelings of isolation and captivity. My artwork is a dialogue with a new reality and a pursuit of an evasive happiness.”
Picasso stated: “Every act of creation begins with an act of destruction.” This is horribly true of Maha Daya’s paintings which document the consequences of Israeli warplanes’ strikes on Gaza. There is no beauty or life in these haunting artworks. The buildings have not collapsed. They are defiant and resilient and refuse to fall. They are monuments to injustice and devastation.
Amos Trust
7 Bell Yard, London
WC2A 2JR
UK
Telephone:
+44 (0) 203 725 3493
Email:
[email protected]
Registered Charity No.
1164234
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