Zainab al-Qolaq
Shroud (2022)
“I hope that you will not praise my paintings or document my achievement with joy. Instead, I hope you will help me spread my cause and raise my voice to hold this occupier to account.” Zainab Al-Qolaq
At precisely 1am on 16th May 2021, Israeli jets bombarded a densely populated residential area in the centre of Gaza City. Zainab was trapped under the rubble of her apartment block for 12 hours. She lost 22 members of her family in the attack.
At the launch of her exhibition, she said, “I hope that you will not praise my paintings or document my achievement with joy. Instead, I hope you will help me spread my cause and raise my voice to hold this occupier to account.” Zainab Al-Qolaq
You can follow Zainab on Instagram at @zainab_shokry
Mahmoud uses medicinal blister packs to construct intelligent, sophisticated and meticulous architectural cityscapes. The symbolism of the impact of the ongoing conflict in Gaza and its affect on mental health is profound. A recent report by Save the Children stated that over 80% of children in Gaza suffer from mental health problems.
“Mohammed’s characters feel anonymous. The figures appear of varying origins — endless and with infinite colour. They are shadow characters with no rights in soil, sea, or sky. The displaced and alienated move through hazy colour spaces as if from a dream. They are escaping a brutal and painful reality in a desperate search for peace.”
Picasso stated: “Every act of creation begins with an act of destruction.” This is horribly true of Maha Daya’s paintings which document the consequences of Israeli warplanes’ strikes on Gaza. There is no beauty or life in these haunting artworks. The buildings have not collapsed. They are defiant and resilient and refuse to fall. They are monuments to injustice and devastation.
“My current work is an echo of my exiled self. The employment of digital windows and messages is emblematic of my artistic method. My screen connects me to the world but detaches me from it. Although I no longer live in Gaza, I am still affected by feelings of isolation and captivity. My artwork is a dialogue with a new reality and a pursuit of an evasive happiness.”
Mariam bravely and fiercely creates artworks exploring the practice of Palestinian political prisoners smuggling sperm out of Israeli jails so that their wives can become pregnant. A doctor at a fertility clinic in Nablus stated that 22 women had undergone insemination using smuggled sperm. The success rate was low because of the difficulties of keeping sperm fresh during transportation from prisons in Israel to the West Bank.
These graceful, moving and poetic drawings show tenderness and fragility in the midst of war. Ghostly figures locked in a tender embrace, defiantly looking at the sky in resilience and dignity. Majed Shala beautifully documents the human and emotional cost of war in Gaza and its tragic consequences on relationships and everyday life.
Ahlan Gaza (Welcome Gaza) follows the simple stories of people living in Gaza, people trying to live with dignity as their options close in on them each year.
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